Rob Nokes - Sound Seminar Q & A - Part 1 and 2
November 25, 2008 06:00
| Sounddogs, Sound Design
| Permalink
Rob Nokes, Owner of Sounddogs.com, Sound Effect Field Recordist, Supervising Sound Editor answers:
What is the job of a sound editor?
In your job what audio is expected of you to deliver?
What happens if you steal sounds?
How do you prove copyright?
In your job what audio is expected of you to deliver?
What bit depth do you record at?
Detail the sound equipment you actually use.
How did you make monster sounds sound real?
What makes a good sound?
Why is it best to record clean?
Is it better to have actors do adr?
Is there another way to avoid adr?
What is 'smoothing' or EQ?
Do you process while you record?
Rob Nokes - Supervising Sound Editor, Sound Effects Field Recordist answers:
Is it better to have actors do adr?
Is there another way to avoid adr?
What is 'smoothing' or EQ?
Do you process while you record?
What is a series?
How best to record gunshots?
How do you make a sound bigger?
How close to the sound or actor do you record?
Do you change your levels while recording?
How best do you cut background sounds in?
What mic technique would you use to record a room?
How can you control loud sounds?
What is your underwater technique?
How did you create your favourite sound?
Do you record everything?
What is the job of a sound editor?
In your job what audio is expected of you to deliver?
What happens if you steal sounds?
How do you prove copyright?
In your job what audio is expected of you to deliver?
What bit depth do you record at?
Detail the sound equipment you actually use.
How did you make monster sounds sound real?
What makes a good sound?
Why is it best to record clean?
Is it better to have actors do adr?
Is there another way to avoid adr?
What is 'smoothing' or EQ?
Do you process while you record?
Is it better to have actors do adr?
Is there another way to avoid adr?
What is 'smoothing' or EQ?
Do you process while you record?
What is a series?
How best to record gunshots?
How do you make a sound bigger?
How close to the sound or actor do you record?
Do you change your levels while recording?
How best do you cut background sounds in?
What mic technique would you use to record a room?
How can you control loud sounds?
What is your underwater technique?
How did you create your favourite sound?
Do you record everything?
Comments
Sound Design with Sounddogs
January 15, 2008 07:53
| Sounddogs, Sound Design
| Permalink
YouTube might want you to view videos from their web site. If you want to watch these videos from my site just refresh your browser.
Sounddogs.com was started in August 1996, and, in May 1997, was the first online commercial sound effects and music library by Hollywood sound editors. We created the website out of a need to work fast and efficiently from any location. Sounddogs travels all over the world recording sounds in order to meet all of your strangest sonic requests which means our library of over 320,000 sounds is constantly growing.
Sounddogs.com was started in August 1996, and, in May 1997, was the first online commercial sound effects and music library by Hollywood sound editors. We created the website out of a need to work fast and efficiently from any location. Sounddogs travels all over the world recording sounds in order to meet all of your strangest sonic requests which means our library of over 320,000 sounds is constantly growing.