Sidechain or Ducking - Mixing Effect
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Here a a quick technique called ducking (side chain) that will help instruments that cover the same frequencies work better together. All you need is a compressor plugin that has a side chain enable button.
Learn more about Side-Chain in ProTools
Learn more about Side-Chain In Cubase SX
Go to Brite-Vu Myspace
Comments
Reverse Audio Effect Part 1 - 2
April 30, 2009 03:14
| Reverse Effect, Audio, Editing, Mixing
| Permalink
There is no expensive plugins needed here, just an audio wave editor that can be found in many DAW's. Here are some examples of the reverse effect. There are some samples you have heard and some you have not. This is part 1 of a 2 part video.
Now you can see the project file for the song. Here you will see how to make the reverse effect and use it in your mixing and editing. Click the link in the notes to download this song to make your own effects and feel free to share them with me.
Recording Samples

Album: All You Need is Love
Recorded: Adam Smith
Mixed: Scott Ferguson
Mastered: Scott Ferguson
All You Need is Love
Let It Be
Please Please Me
Penny Lane
Strawberry Fields
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Recorded: Adam Smith
Mixed: Scott Ferguson
Mastered: Scott Ferguson
Blue Sky
Crash
Everlasting
Who I Am
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Recorded: Adam Smith
Mixed: Adam Smith
Mastered: Scott Ferguson
Catch You
Michigan
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Ian Sherwood
Album: Art of Conversation
Scott Ferguson: Co-produced, Recorded, Mixed and Mastered, Drums, percussion
-assisted by Adam Smith
Save Me
Here I Go
Heaven Knows
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Hal Bruce
Album: “Thank You Girl”
Produced by Hal Bruce
Engineered By: Adam Smith and Scott Ferguson
Mixed By: Scott Ferguson, assisted by Adam Smith
Master By: Scott Ferguson
Produced by Hal Bruce
Engineered By: Adam Smith and Scott Ferguson
Mixed By: Scott Ferguson, assisted by Adam Smith
Master By: Scott Ferguson
Hey Jude
Eleanor Rigby
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Album: Brite Vu
Producer: Brite Vu and Scott Ferguson
Mixed: Scott Ferguson
Recording Engineer: Adam Smith
Mix at Ferguson Music Productions
Side of the Road
Ash
Breakdown
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Mark Cameron
Album: Get Er Done
Produced by: Scott Ferguson
Recorded, Mixed, Mastered by: Scott Ferguson at Ferguson Music Productions
Assisted by: Adam Smith
I Didn't Know
Get Er Done
Long Ride
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Recording Studio - Learn to Mix Music
July 14, 2008 04:59
| Recording Studios, Mixing
| Permalink
Mixing Part 2
Here is part 2 of the mixing videos by Eric Thorngren. Have you ever used samples with a recorded drum set? This pro does to keep a consistent drum sound. One phrase you hear a few times in this video is NS10's Those are the small speakers that are directly behind him. They are not built anymore, but they are an industry standard that a lot of people use. There always seems to be a pair on ebay. Be careful buying from ebay, but they are a great addition to any studio.
Mixing - Part 1
Famed engineer-producer Eric Thorngren shares his knowledge and experience in the field of audio recording. Here is the first video of 2 about mixing. In this video you will learn about the process Eric uses to mix albums. To give you a summary he first uses a process called analog summing. This means the the audio is taken from a digital system and put through a analog unit that makes all the channels into a single stereo track. The next step is a compressor then record the stereo tracks back into a DAW. Part 2 will be on its way soon.
Sound Quality - Terry Howard on the Importance of it
March 3, 2008 04:39
| Sound Quality, Mixing, Terry Howard
| Permalink
Terry Howard, winner of 3 Grammy Awards in 2005 for his work with Ray Charles discusses the importance of 64-bit audio quality and why SONAR 6 is his DAW of choice. Recorded at the 2006 AES convention.
AES - Benefits of 64-bit Mixing
Former Cakewalk CTO Ron Kuper, discusses the benefits of mixing with SONAR's 64-bit double precision audio engine (on 32-bt or 64-bit machines
Loudness Wars
Big-name CD manufacturers are distorting sounds to make them seem louder. Sound quality suffers. Here is a great video showing you want compression does to the sound waves and how it makes the audio sound. When I was at school we had a guest speak come and tell us about mixing and mastering music. He played us a song and asked us how we liked it. He then played around on his computer and played us the same song again. He then asked which one we liked better. We all answered the second take and why. He kind of laughs at us and then told us that he only raised the volume a few dB and that was the only change he made. It is true that audio does sound better louder, but could something be too loud? Watch this video to learn more.




