Recording Samples



Here are some projects that I worked on since I have started to work at the studio 3 years ago. All these projects were recorded, mixed, and mastered at the studio. I hope you enjoy.



All you need is love
Hal Bruce
Album: All You Need is Love

Recorded: Adam Smith
Mixed: Scott Ferguson
Mastered: Scott Ferguson




All You Need is Love




Let It Be




Please Please Me




Penny Lane




Strawberry Fields


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Brite Vu
Brite Vu
Recorded: Adam Smith
Mixed: Scott Ferguson
Mastered: Scott Ferguson




Blue Sky




Crash




Everlasting




Who I Am


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aroundtown
Around Town
Recorded: Adam Smith
Mixed: Adam Smith
Mastered: Scott Ferguson





Catch You




Michigan


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Ian
Ian Sherwood
Album: Art of Conversation
Scott Ferguson: Co-produced, Recorded, Mixed and Mastered, Drums, percussion
-assisted by Adam Smith




Save Me




Here I Go





Heaven Knows



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HalCDCover
Hal Bruce
Album: “Thank You Girl”
Produced by Hal Bruce


Engineered By: Adam Smith and Scott Ferguson
Mixed By: Scott Ferguson, assisted by Adam Smith
Master By: Scott Ferguson


Hey Jude




Eleanor Rigby


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Brite Vu
Brite Vu
Album: Brite Vu

Producer: Brite Vu and Scott Ferguson
Mixed: Scott Ferguson
Recording Engineer: Adam Smith
Mix at Ferguson Music Productions



Side of the Road





Ash





Breakdown


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Mark Cameron
Mark Cameron
Album: Get Er Done



Produced by: Scott Ferguson
Recorded, Mixed, Mastered by: Scott Ferguson at Ferguson Music Productions
Assisted by: Adam Smith


I Didn't Know





Get Er Done





Long Ride


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Mastering at Abbey Road Studios

A brief guide to mastering and the TG Mastering console.


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Mastering Audio by Bob Katz

Bass Frequency Surgery tutorial by Bob Katz, author of Mastering Audio (9780240808376) by Focal Press.



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Mastering with Universal Audio's Precision Series Plug-Ins

This video demonstrates using UA's Precision mastering Series plug-ins, along with some of the Precision Mix series plug-ins, to master a track.
For a higher resolution version, please visit the Plug-In Power article in the May Edition of UA's webzine


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Limiting and Mastering tips with Ozone and Danny Byrd



Danny Byrd (Hospital Records) talks about using Ozone to get loud, club-ready mixes.

Music: "Gold Rush" by Danny Byrd ft. Brookes Brothers
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Mastering D.I.Y

This clip reveals five important tips on how to get the best possible result when preparing your recording to be sent in to be mastered.

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Mastered - Reasons why you should have your music

Get the FREE full DVD at www.discmakers.com/youtube
Disc Makers and Mix Magazine present "Sounding Your Best: Mastering Tips and Techniques From The Pros."

This clip explains how a dedicated mastering engineer can help make your CDs sound better by:

- tweaking levels and tonal balance between songs
- cleaning up fades, hiss, pops, clicks, and studio noise
- improving the bass
- lending a fresh set of ears to the project
- checking specific frequencies to help, for example, the vocals pop out
- judiciously applying a little compression, limiting and EQ.

The mastering engineer also lends a fresh set of ears to the project, as well as some quality equipment and a sonically optimal room

Part 1



Part 2



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Loudness Wars

Big-name CD manufacturers are distorting sounds to make them seem louder. Sound quality suffers.

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Loudness Wars

Big-name CD manufacturers are distorting sounds to make them seem louder. Sound quality suffers. Here is a great video showing you want compression does to the sound waves and how it makes the audio sound. When I was at school we had a guest speak come and tell us about mixing and mastering music. He played us a song and asked us how we liked it. He then played around on his computer and played us the same song again. He then asked which one we liked better. We all answered the second take and why. He kind of laughs at us and then told us that he only raised the volume a few dB and that was the only change he made. It is true that audio does sound better louder, but could something be too loud? Watch this video to learn more.

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